Mirth in the Morning
Ok, so when you wake up to THIS in the bed, there's just *no* rolling over and snoozing some more. You have to play.
Labels: 'our pets', cameraphone, family, warmth
An artist-naturalist splashes through streams of consciousness... often, it's even her own...
Ok, so when you wake up to THIS in the bed, there's just *no* rolling over and snoozing some more. You have to play.
Labels: 'our pets', cameraphone, family, warmth
Labels: challenge, Cleveland, equality, football, good fun, rants, the Cleveland Browns, waiting
As when I was recovering from my lumpectomy (wow, was it really 2 months ago?), my 2 faithful heating pads Cleopatra (dog at my ankle) and Bert (cat in my arm) are providing comfort. MOSTLY. When they aren't squabbling over who gets to be closest to me, or in which position, or stepping on each other. Otherwise, it's idyllic. Could be more so if I could breathe without hacking up a lung.
Labels: 'our pets', cameraphone, family, recovery, warmth
My brother *WRAPPED* our giftcard! Goofball. He makes me smile!
Labels: cameraphone, Christmas, family, funny, warmth
...is how you say 'Merry Christmas' in Tagalog. That's one of the many languages of the Philippines, the country from which my father-in-law came. We Garcias make every effort to remember to say this to him, and the companion 'and a Happy New Year' phrase. Here it is in its entirety: Maligayang Pasko at Manigong Bagong Taon sa Inyong Lahat!
Labels: cameraphone, Christmas, driving, funny
...of great presents!
Labels: art, art auctions, Art For Cures, Christmas, collage, Craft, handmade, ornament, supernatural
Labels: 'our pets', Christmas, good fun, recovery
Yesterday I parenthetically disclosed my Barbie fascination/collection. Today I learned of one I would love to add to my collection: "Muslim Barbie", called Fulla Doll.
Labels: diversity, equality, small world, toy
My two nieces could neither be more adorable nor more different, and for that I am most grateful.
Wow. This is the coolest thing.
Labels: art, Craft, fiber, handmade, textiles, the AntiCraft
Some of Ridley Scott's finest cinematic hours have been tweaked, spit-shined, picked clean of lint, and are being reissued today. I have always admired the way he made the images of Philip K. Dick's Do Androids Dream of Electric Sheep, 1968, leap off the pages. Casting was quirky and precicely right. Just marvelous eye candy. It all made me feel that I was truly there, in 2021, post-apocalyptic Earth, triaged among the masses too radiation-sick to depart for ('escape to', really) colonies on healthier planets.
Strange stuff is out in the house. Our cats are getting bold. Having a very tall tree base (it's a real tree trunk, for all that it's a fake tree) is turning out not to be all that much of a safeguard.
Sigh. It's coming down. I can feel it in my bones.
Anyway, this picture is full of meaningful stuff. I put notes all over the picture on my Flickr site. Just click on it, and you will be automatically transported. I mean, redirected. Whether you are 'transported' depends on how deeply you connect with *my* nostalgic stimuli. Try it! I hope it brings you joy.
There might be another picture or two here at the bottom. Mirth was just so darn cute this morning. (I can't stand turning this blog into a cat report!)
Labels: 'our pets', Christmas, family, handmade, home, memory, nostalgia
I thought we were done Christmas shopping. I was tragically WRONG.
Labels: art, cameraphone, Christmas, Cleveland, color, driving, nature, shopping, warmth, Ways to Calm Down But In a Hurry
It's our first year with the tree again since the year Mom died.
I'd pull out ornaments and the boxes of Christmas books, but the pain was unbearable. So back under the eaves they would go.
I don't remember when it was but we both looked at each other and said, "Do you think we could put the tree up this year? Is that manageable?"
We agreed that it was.
I'm glad. It leads to cool things like the Ricky and Becky ornaments.
If you know what's good for you, you will never ever ever in a million billion years EVER call either of us by those names.
But the cool thing about the ornaments is that we both received them as children (hence the diminutive nicknames) so there was no possible knowlege that they would be hanging together on a tree in 2007.
They hung together back in 2003, too; that was the last time we had the tree up. It's nice to have it again. Here are some other views.
The manger scene (I grew up calling it "manger scene", not creche) at my grandparents' farm had animals added to it every year, and thus had hundreds by the time I reached adulthood. I believe mine should be no different. I added a few angels and my basenji angel and devil ornaments this year. Unconventional is good.
If we can make it the whole Christmas season without the cats pulling the whole thing down, it will be a miracle.
Labels: 'our pets', Christmas, color, family, home, memory, nostalgia, sacred, warmth
... which means I am too tired for a proper post today. Proper one tomorrow with multiple pics, I promise, and it'll be worth it. Really. Christmas tree. No kidding.
Usually in cold weather, when conversation turns to baseball it makes me warm all over. As if pitchers and catchers have already reported to spring training, and the rest of the team are packing final bags and calling cabs for their trips to the airport. Good feelings.
Labels: baseball, baseball lore, challenge, rants, sacred
Here's my better picture of my image, ready to print.
The project is for Art For Cures. I'd link to the website, but it's not fully functional yet. The theme is The 12 Days of Christmas, and my day is 6 Geese a-Laying. While there are not 6 mature geese in the image, there certainly are 5 potential geese under the one mature one...
Labels: art, art auctions, Art For Cures, Christmas, handmade
After many years of owning it, I am finally breaking in my Gocco. Many years. I'm a bit embarassed! But, darn it, those instructions in the box are not reassuringly clear, when a girl can't be sure where replacement supplies will come from! So today, I got loads of good advice and even more sources for ink, screens, and bulbs. And because of that, today I also am taking the plunge. Stand by for better photos...
Labels: art, art auctions, Art For Cures, cameraphone, Christmas, handmade
Frank and Katie with Bud Light before dinner, corroborating stories for Child and Family Services.
Labels: cameraphone, family, friends, funny
I have NEVER seen my brother with mouse ears. I don't like Disney, but bless that cryogenically preserved misogynist for this priceless image!
Labels: cameraphone, family, funny
The caption above Giant LeBron says, 'WE ARE ALL WITNESSES'. I would add, we are witnessing that the Cavs are useless without LeBron. So much for teamwork! And the world bears witness to the rise of what I dreaded most: the rise of another Michael Jordan.
Labels: basketball, cameraphone, Cleveland, driving, random, rants, waiting
A culturally sensitive query: if it's a product of Peru, how is it 'Mayan'? Is it a brand? Is it a variety? WHAT? Peru is *way* south of Maya country.
Labels: cameraphone, random, shopping
This little culprit was making a 'lump lump lump' sound whenever the car moved. The car is big. The screw is small. This is so very amazing to me.
Labels: cameraphone, waiting
In a season of giving, this one literally comes from the heart. Through the heart, even! And liver, kidneys, a few other things. But I digress. Like that's anything new.
To learn more blood donation opportunities, visit www.givelife.org or call 1-800-GIVE-LIFE (1-800-448-3543).
Labels: cameraphone, family, recipe, warmth
... titled "What the HELL?", I was informed that the broadcast network NBC will be showing their new movie, "The Year Without A Santa Claus".
Today, in addition to a continuing disregard for the correct pronunciation of the word 'nu-cle-ar', President Bush showed he can conjugate the verb 'to be' when discussing Iran's potential for causing mischief.
Ok. As far as harbingers of doom go, pestilence, war, famine, and death are the Big Ones, and they arrive via men on color-coordinated horses. But tradition is adamant that there are just the four, which makes them easy to identify and send up flares. So we are left with no warning, really, for what I heard just now on the radio. And I heard it on NPR, so it must be true.
It's a gift. Another kitchen/dish/tea towel. Tonight, it kept my hands happy during Heroes and Life. Embroidery keeps me tied (in a good way) to my Grandma Kopsell, and I feel like I am giving something utterly from within when I embroider a gift.
Labels: cameraphone, Christmas, fiber, friends
Sunday afternoon we wandered through galleries. Most of them had actual art in them.
This one is eyecatching and colorful on a cold, gray day, though the stuff taking up the sidewalk is vintage clothing, planters, a mix of mass-manufactured outdoor tchochkes and reclaimed/repainted wooden furniture. The old tricycle is very nice. We were done by this point, and chose to admire the exterior color of this 'gallery' (gift shop, really) without stepping inside. We've been in it before, it's nice. They have a mix of handmade and not-handmade gifts, but it's not really a gallery. (I say this in the spirit of assigning descriptions, not judgements.)
One of this year's highlights was found in The Art Room in the Murray Hill School. Getting past the first collection of paintings (nice, but looked like early student work, though you knew it wasn't) brought the abundant rich rewards of a collection of seriously good artists producing an array of powerful imagery. Singly, each work was successful. Arranged in exhibit together, there is a cohesiveness that sings. I had been ready to walk out of the gallery without venturing further into the space, but that would have been my profound loss. Something inside me continues even now to respond to the powerful nature of the work I saw in that small space. One example: Eileen Roth had a series (among other paintings and prints displayed) of Astrological Spirit Houses. She created a house for each sign, wrote a bit about each symbol, wrote about the series as a whole, and it had an incredible impact on me. Each of the houses was a graphic image in black on a painterly gold background. Beautiful! But my words are a doing a puny descriptive job of something that deserves far better. Ordinarily I am not as affected by anything that uses the zodiac as a point of reference. But the juxtaposition of clean lines and painterly handling, stark black with juicy gold on canvas, and the very creative glyphs-as-houses were just too much! I was much moved. Best of all, that series was just one example of what wealth was 'hiding' in the back half of this lovely hidden gem called The Art Room! There was so much more that I found profound and lovely. Eileen, Sam, and Linda: thank you. Although you will probably never see this, I don't care; I still express my gratitude so the Universe will have record of it. (I guess I do care: I'd love for you to see positive things about your space and work.) I *really* like your work.
Non-artist: please note that when I was a student at CIA during critiques, we would be shot down immediately by our profs -- they might even go get others for reinforcements -- if we ever said "I like ____". And if we didn't qualify it, our grade would be in danger of dropping. I'm that much at a loss, I'm THAT moved by the body of work displayed at The Art Room.
Pennello Gallery on Mayfield was another good experience -- specifically, some highly sensitive and sophisticated woodcuts. Some were cityscapes, some were landscapes. I was drawn to the textures of the forest, swamp, and stormy skies. Ohhhhh, they were lush and tactile, they made me want to go to whatever they were. And they were small, with sometimes mossy, sometimes prickly, sometimes ticklish detail! Perhaps 5"x9" in some cases, and in full but soft color. They drew they eye gently but insistently in to the scene on the paper, then ever inward. I was amazed by the technical prowess, but so emotionally transported by the scenes he created. Again, I love this work.
The last one we went into was Brian Jones Gallery, and Rick was losing steam at this point. Two paintings caught my eye from the street, though, and I wanted a closer look. I didn't think we'd be in there long. Hmph. Rick perked right up and took an immediate interest, and HE was the one who had to be told this time, "I'm ready when you are..." These paintings were different from others' work that we had seen. Either acrylic on canvas, or acrylic reverse painted onto acrylic, it's all got great energy and spontaneity. The tree paintings that drew me in have a Gauguin pallette, but a Klimt sensibility (think The Beech Forest rather than the ubiquitous Kiss), yet they are truly very much their own. Very passionate.
We both left art behind that we would have preferred to bring home. In fact, we came home completely empty-handed. But in order to be able to buy art in the future, we have to get rid of the bills we have now. When that's out of the way, then and only then can we fill our house with all sorts of gorgeous local art!
I'm really looking forward to that. Maybe someone will be collecting me by then, too!
Labels: art, Cleveland, community art
Nailed! For improper use of an apostrophe! (When I took and posted this photo, I never imagined the "and yogi's" (sic) would be so illegible. Trust me, that's what's added to the anti-Hippie sign.) Honestly, how annoying *can* the yoga studio next door BE? Also, part of me admires (aspires to?) the 'ATTACK ARTIST' warning. Most of me, however, responds to the sign (for sale, so I didn't photograph it) 'peace please', which was a response to war. Maybe the yoga studio should buy this guy one of those.
Labels: art, Cleveland, community art, funny
Labels: art, Cleveland, community art, nostalgia